File:Dülmen, Wildpark -- 2018 -- 1458-62.jpg
Summary
Category:Buildings with addresses#DENW48249
| Description |
Deutsch: Herbstlicher Wildpark in Dülmen, Nordrhein-Westfalen, Deutschland
Der Wildpark wurde 1864 vom englischen Gartenarchitekten Edward Milner als „Amended Plan of Park Dülmen Westphalia“ geplant und 1868 vom ebenso aus England stammenden Gärtner Charles Barnard angelegt. Er ist ein klassischer Landschaftspark mit weiträumigen Wiesenflächen und Rundwegesystem, der auch forstwirtschaftlich genutzt wird. Im Park befindet sich der Herzteich mit einer kleinen Insel sowie die Gräfte des ehemaligen Schultenhofs Hinderkinck und nahe der Gräfte ein Forsthaus. U. a. Ende des 19. Jahrhunderts wurde der Park durch den Erwerb von Besitzungen erweitert. Mit dem Bau der Bundesautobahn 43 in den 1970er Jahren wurde er um ca. 250 Hektor verkleinert. English: Wildlife park in Dülmen, North Rhine-Westphalia, Germany
The wildlife park was designed in 1864 by English landscape architect Edward Milner as the “Amended Plan of Park Dülmen Westphalia” and laid out in 1868 by Charles Barnard, a gardener who also came from England. It is a classic landscape park with extensive meadows and a system of circular paths, which is also used for forestry. The park features the Herzteich pond with a small island, the moat of the former Schultenhof Hinderkinck farm, and a forester’s lodge near the moat. At the end of the 19th century, among other things, the park was expanded through the acquisition of additional properties. With the construction of the Bundesautobahn 43 in the 1970s, it was reduced in size by approximately 250 hectares. Magyar: Reggel a dülmeni vadasparkban.
Alfred von Croÿ az 1860-as években Edward Milner angol tájépítészt bízta meg a vadaspark tervezésével, amit Charles Barnard kertész kivitelezett (Dülmen, Észak-Rajna-Vesztfália, Németország) Italiano: Riserva di caccia di Dülmen vista di mattina, Renania Settentrionale-Vestfalia, Germania
Alfred von Croÿ commissionò il giardinaggio all’architetto del paesaggio inglese Edward Milner negli anni 1860. Il lavoro fu svolto dal giardiniere Charles Barnard. 한국어: 독일 노르트라인베스트팔렌주 뒬멘 내 사냥금지구역의 아침 풍경.
1860년대 알프레드 폰 크로이는 영국의 환경 건축가 에드워드 밀너에 정원 가꾸기를 의뢰했다. 작업은 정원사 찰스 바너드가 수행했다. Эрзянь: Валскесь кородома таркасо Дюльменсэ, Пелевеёнкс Рейн-Вестфалия, Германия
Альфред фон Кро (Alfred von Croÿ) тердизе англань ладшафтонь архитекторонть Эдвард Милнерэнь (Edward Milner) 1860-це истэ. Тевенть теизе Чарльз Барнард (Charles Barnard). Polski: Jesienny ranek w rezerwacie dzikich zwierząt w Dülmen w Nadrenii Północnej-Westfalii, w Niemczech
Українська: Ранковий мисливський заповідник у Дюльмені, Північний Рейн-Вестфалія, Німеччина.
У 1860-х роках Альфред фон Крой доручив англійському ландшафтному архітектору Едварду Мільнеру створити сад. Роботи проводив садівник Чарльз Барнард.
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| Location |  Dülmen ◁ Coesfeld ◁ Münster Government Region ◁ North Rhine-Westphalia ◁ Germany ◁ Europe |
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| Depicts | Category:Information field template with formattingWildpark (Dülmen) | ||||||||||||||||||||||||||||||||||||||||
| Technical Specifications |
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| Date | Taken on 11 October 2018, 08:43 | ||||||||||||||||||||||||||||||||||||||||
| Source | Own work | ||||||||||||||||||||||||||||||||||||||||
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| Permission (Reusing this file) |
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This photograph is protected by copyright law. However, it may be used for free by anyone, provided it is used in accordance with the license Creative Commons License “Attribution-ShareAlike 4.0 International” (CC BY-SA 4.0). These include, among other things, the naming of the author and the license, as well as the setting of a link to the license text or its complete imprint. The attribution should be done as follows:
Please read the text of the license carefully before using the photograph. If you do not agree with the conditions of the license or if you do not understand these conditions, please refrain from using the photo. If you have any questions regarding the license or the reuse of the image, please contact me before using it. If you do not comply with the terms of the license, you do not acquire any right to use the image. If you need another license to use, please contact the author before using.
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| Attribution (required by the license) | Category:Information field template with formattingDietmar Rabich / Wikimedia Commons / /
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| Keywords | Category:Information field template with formatting Deutschland, Dülmen, Germany, Nordrhein-Westfalen, North Rhine-Westphalia, Park, Westfalen, Wildpark, Wildpark Dülmen, … Alemanha, Alfred von Croÿ, Außerhalb der Ringe, Baum, Bäume und Wälder, Baumfotografie, Bild des Tages, Blau, Blue, Bundesautobahn 43, Contre-jour, Contre-jour photography, Denkmal, Dülmen-Mitte, Edward Milner, England, Exzellentes Bild, Featured picture, Flora, Forest, Fotokunst, Gegenlicht, Großbritannien, HDR, HDRI, HDR-Image, HDR image, Herbst, High Dynamic Range Image, Hochkontrastbild, Kreativität, Kreis Coesfeld, Kultur, Kulturdenkmal, Landscape, Landscape photography, Landschaft, Landschaftsfotografie, Licht, Licht und Schatten, Monument, Münsterland, Natur, Nature photography, Naturfotografie, Naturschutzfotografie, Naturschutzgebiet, Parque natural, Pflanze, Photo Art, Photographic Art, Picture of the day, Plant, Qualitätsbild, Quality image, Renânia do Norte-Vestfália, Schatten, Schutzgebiet, Sonne, Spiel, Spike, Stadt, Starburst effect, Tone-mapped HDR image, Tree, Tree photography, Umweltfotografie, United Kingdom, Vereinigtes Königreich, Wald, 2018 |
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| Object location |  | View this and other nearby images on: OpenStreetMap |  |
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NOTE: For this image, at least three individual images were combined as a High Dynamic Range Image (HDRI) and tone mapping (or as an exposure fusion (pseudo HDRI)) and were thereby processed digitally. Therefore, this picture may not reflect reality exactly in every detail. |
Assessment
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This image was selected as picture of the day on Wikimedia Commons for 22 April 2020. It was captioned as follows: English: Morning game reserve in Dülmen, North Rhine-Westphalia, Germany Alfred von Croÿ commissioned the English landscape architect Edward Milner with the gardening in the 1860s. The work was carried out by the gardener Charles Barnard. Wikipedia: Dülmen • Edward Milner Other languages:
Deutsch: Morgendlicher Wildpark in Dülmen, Nordrhein-Westfalen, Deutschland Alfred von Croÿ beauftragte in den 1860er-Jahren den englischen Landschaftsarchitekten Edward Milner mit der Gestaltung. Ausgeführt wurden die Arbeiten durch den Gärtner Charles Barnard. Wikipedia: Wildpark (Dülmen) • Dülmen • Alfred von Croÿ • Edward Milner English: Morning game reserve in Dülmen, North Rhine-Westphalia, Germany Alfred von Croÿ commissioned the English landscape architect Edward Milner with the gardening in the 1860s. The work was carried out by the gardener Charles Barnard. Wikipedia: Dülmen • Edward Milner Italiano: Riserva di caccia di Dülmen vista di mattina, Renania Settentrionale-Vestfalia, Germania Alfred von Croÿ commissionò il giardinaggio all'architetto del paesaggio inglese Edward Milner negli anni 1860. Il lavoro fu svolto dal giardiniere Charles Barnard. Wikipedia: Dülmen Magyar: Reggel a dülmeni vadasparkban. Alfred von Croÿ az 1860-as években Edward Milner angol tájépítészt bízta meg a vadaspark tervezésével, amit Charles Barnard kertész kivitelezett (Dülmen, Észak-Rajna-Vesztfália, Németország) Polski: Jesienny ranek w rezerwacie dzikich zwierząt w Dülmen w Nadrenii Północnej-Westfalii, w Niemczech. 한국어: 독일 노르트라인베스트팔렌주 뒬멘 내 사냥금지구역의 아침 풍경. 1860년대 알프레드 폰 크로이는 영국의 환경 건축가 에드워드 밀너에 정원 가꾸기를 의뢰했다. 작업은 정원사 찰스 바너드가 수행했다. |
Licensing
Dietmar Rabich, the copyright holder of this work, hereby publishes it under the following license:
This file is licensed under the Creative Commons Attribution-Share Alike 4.0 International license.
Attribution:
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- share alike – If you remix, transform, or build upon the material, you must distribute your contributions under the same or compatible license as the original.
Notes
For users of the photo
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The rules of the listed free license apply, no more and no less. Please respect the copyright protection. Especially with social media you have to pay attention to the terms of use. These sometimes do not correspond to the license conditions listed here. (See CC BY-SA licenses and social media.) Please check this before use in the respective medium. The license conditions must also be respected when using so-called generative artificial intelligence (AI). Images created on the basis of this image are processed images or derivatives within the meaning of the license. Of course, a free license is no carte blanche for use. In particular, there are restrictions not based on the license, for example to the personality rights of the author (Copyright law of Germany, §§ 12 to 14 of the German Copyright Act). This is especially true for the required attribution and the use of the image. It is expressly not allowed to give the impression through the use of the image, that the author supports the work, in which the image is used, or whose rights holders in any way.
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It should also be noted that the file’s metadata (EXIF/IPTC/XMP) must not be removed or altered (protection of information necessary for the enforcement of rights, § 95c of the German Copyright Act). It should also be noted that the author expressly distance hisself from images based on his photos that have been changed — even minimally — by third parties and where only his name is noted as author.
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For photographers
How do you take a photo like this?
To give you a little insight into how a photo like this was created, here are a few basic tips and tricks specifically related to this photo.
Basics
First, you should be aware that a good photo is taken by the photographer themselves. The focus is therefore on composition and creativity. At least when you are starting out, it is advisable to follow the rules of composition. The camera and lens are tools for creating the photo. Technically speaking, a photo is only as good as the tools allow it to be.
If creativity and high quality are important to you, you should say goodbye to fully automatic mode. However, individual automatic functions can be useful. It is better to make some camera settings consciously, so it is also important to use them selectively.
There are only a few basic parameters that affect a photo. These are aperture, exposure time and ISO value. The aperture determines the depth of field in the image. The wider the aperture is open, the less sharp the image will be, and vice versa. However, the aperture should only be closed as far as is absolutely necessary. The exposure time should be short enough to prevent the photo from being blurred. The shorter it is, the more likely it is that movement will be frozen. The ISO value determines how sensitive a sensor is to light. The higher it is, the more sensitive it becomes. (More precisely, the light signal is amplified.) However, this has a disadvantage, because as the ISO value increases, so does the noise.
You should be able to focus correctly on the camera. You don’t necessarily have to focus manually, but you should be able to select the appropriate focus fields yourself. Furthermore, the significance of the focal length and its effect on the photo should be actively selected. For example, a longer focal length results in a compression effect, which has its own image effect. Even when using a zoom lens, it can’t hurt to take a few steps forward or backward.
Of course, this is only a very brief overview. There are other influencing factors and parameters, but these cannot be conveyed in the brevity of this text.Tips & Tricks
A high-contrast image (HDRI) is a photo with a greater dynamic range. The difference between the brightest and darkest points in the photo is greater than can be captured in a single photo. A series of exposures is taken, with the shortest exposure time capturing the bright areas well and the longest exposure time capturing the dark areas well. These photos, usually at least three, are then processed using software and compressed to the visible spectrum (tone mapping). Some cameras offer the option of taking this shot directly, but this lacks flexibility in editing.
▷ See also category: HDR images.
Contre-jour shots are characterized by the fact that you are photographing directly into the direction of the light source. The light source itself does not have to be visible. The light-dark contrast in such photographs is high, which means that some areas may often be overexposed or underexposed. Shooting against the light offers the opportunity to create silhouettes, light flares, or spikes. Sunrises and sunsets are common examples of this type of photography.
▷ See also category: Contre-jour photography.
Spikes are caused by the diffraction of light. Since the aperture is only approximately round, the light is diffracted at the edges of the aperture blades. The diffraction becomes visible in highlights and becomes stronger as the aperture opening becomes smaller. The effect is visible during the day, for example, when photographing the sun through an opening (e. g., between branches); at night, the effect is visible in small, bright lights, for example.
▷ See also category: Starburst effect.
Nothing in the background should distract from the main subject. The viewer’s gaze should automatically fall on your subject and not on distracting details behind it. If your gaze “wanders” around the photo, the background is probably too busy. When taking the photo, move slightly to the left or right. Often, distracting elements will disappear immediately. Or open the aperture slightly to blur the background. Or change the perspective by moving lower or higher.
▷ See also category: Backgrounds.
Chromatic aberrations are colored fringes — often magenta or green — at high-contrast edges in a photograph. They are caused by lens-induced refraction of light waves, where colors do not align sharply. They are most visible at sharp transitions such as treetops or architectural features. They occur primarily with inexpensive lenses or in extreme lighting conditions. This can be avoided with high-quality optics, moderate aperture values, and centered subjects. The effects can usually be corrected in post-processing.
▷ See also category: Chromatic aberration.
Postface
Photography is more than just technique — it’s your way of seeing the world.
It is a tool for expression.
Maybe you’re waiting for the “perfect” subject. For better light. For more time. But creativity doesn’t start with perfect conditions — it starts with curiosity. With the courage to look. With the decision to get started today.
The light in the morning tells different stories than the light in the evening. Shadows paint patterns on walls. Raindrops transform into tiny universes when viewed in macro. An ordinary street becomes a stage when you observe it patiently.
You don’t need the most expensive equipment. You need your eye. Ask yourself:
- What do I overlook every day?
- How does this moment feel?
- What happens when I get closer — or further away?
Allow yourself to experiment. Play with perspectives. Crouch down. Take pictures against the light. Deliberately crop something out. Break the rules — after you know them. Not every picture has to be perfect. Every picture can be a step.
Creativity comes from doing. So get going. Capture what moves you. Show your view of the world — because no one else sees it the way you do.
Your camera is not a tool for perfection.It is a tool for expression.
Photographs
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 You like this photograph? That pleases me very much! You would like to see more of my pictures? With pleasure.
Wikimedia Commons has a large number of my photographs available under a free license. This makes it easy for you and me. The license details are for each picture. The use is easier than you think, because in essence, this is just the attribution in the form I want. In addition, usage notes are listed for each picture. And if it does not fit, just ask. My contact information is also available with every photograph. |
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Maxims
Category:Images by XRay (flat list)#Dülmen,%20Wildpark%20--%202018%20--%201458-62.jpgCategory:Changes of XRay's photographs of the recent weeks#20260414063119Every photographer has maxims that guide him or her. Sometimes they exist consciously, sometimes unconsciously. So here is an attempt to formulate this maxim for my own photos:
- I have to like the photos myself. Even if interests change over the course of time, this means that primarily subjects of personal interest are photographed. Subjects of secondary interest serve to increase knowledge and experiment with other techniques or subjects. Commissioned work with special design requirements is not carried out.
- Free knowledge should be supported. The photos should support knowledge and education in every possible way. I see free knowledge as a valuable asset. There is no commercial interest and it would also stand in the way of creativity.
- The joy of photography should be visible. Photography should be fun. Beautiful pictures should enable fantasy worlds. My photos should convey all of this.
- Photos are only offered to third parties if they have been finally processed. The entire development process is carried out by me, from the choice of motif to post-processing. Changes of any kind by third parties are therefore not acceptable. Use is of course permitted subject to the license conditions.
- The technically possible should be utilized. The equipment sets limits, but the photos should be taken within these limits. This also means that photos are usually taken in raw data format.
- The photos are part of a creative process. From the idea to the choice of motif to post-processing, the creative process is utilized and the individual view is used to shape it.
- The photos should serve as a model for others and arouse interest in photography. Photography has many facets, from documentation to artistic use. The special features of this medium are intended to arouse interest in photography and also photographic art.
- The photos should have a positive effect. My hope is that the photos will help make the world a little bit better and have a positive impact on how we interact with each other. That is why I am particularly pleased when the photos are used for educational purposes or volunteer work.
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Category:Autumn 2018 in Dülmen
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