File:Merfeld, Wildpferdefang -- 2014 -- 0639.jpg
Summary
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Deutsch: Herde in der Wildpferdebahn beim Wildpferdefang 2014, Merfelder Bruch, Dülmen, Nordrhein-Westfalen, Deutschland
Der Wildpferdefang im Merfelder Bruch ist eine jahrhundertealte Tradition im Münsterland und eng mit den so genannten Dülmener Wildpferden verbunden. Die Geschichte der Wildpferde im Merfelder Bruch reicht vermutlich bis ins Mittelalter zurück. Schriftliche Belege über frei lebende Pferde in dieser Region finden sich seit dem 14. und 15. Jahrhundert. Über Jahrhunderte lebten die Tiere weitgehend unbeeinflusst in den Heide-, Moor- und Waldlandschaften des Gebietes. Eigentümer des Areals und der Herde ist seit dem 19. Jahrhundert die Adelsfamilie Herzog von Croÿ, die bis heute für den Erhalt der Pferde sorgt. Der sogenannte Wildpferdefang entwickelte sich aus der Notwendigkeit, die Herdengröße zu regulieren. Daher werden einmal im Jahr – traditionell am letzten Samstag im Mai – die einjährigen Hengste aus der Herde herausgefangen. Diese jungen Hengste würden mit zunehmendem Alter Rivalitäten auslösen und die soziale Struktur der Herde stören. Der Fang selbst ist ein spektakuläres Ereignis: In einer großen Arena werden die Jährlingshengste einzeln per Hand eingefangen. Trotz des touristischen Interesses steht heute der Tierschutz im Mittelpunkt. Die Veranstaltung wird streng überwacht, um Stress und Verletzungen für die Tiere möglichst gering zu halten. English: Herd in the Wildpferdebahn (Wildpferdefang 2014), Merfelder Bruch, Dülmen, North Rhine-Westphalia, Germany
The capture of wild horses in Merfelder Bruch is a centuries-old tradition in the Münsterland region and is closely linked to the so-called Dülmen wild horses. The history of wild horses in Merfelder Bruch probably dates back to the Middle Ages. Written records of wild horses in this region can be found from the 14th and 15th centuries. For centuries, the animals lived largely undisturbed in the heath, moor, and forest landscapes of the area. Since the 19th century, the area and the herd have been owned by the noble family of the Duke of Croÿ, who still cares for the horses today. The so-called wild horse capture developed out of the need to regulate the size of the herd. Therefore, once a year – traditionally on the last Saturday in May – the one-year-old stallions are captured from the herd. These young stallions would cause rivalries as they grew older and disrupt the social structure of the herd. The capture itself is a spectacular event: in a large arena, the yearling stallions are caught individually by hand. Despite the tourist interest, animal welfare is the main focus today. The event is strictly monitored to minimize stress and injury to the animals. Bosanski: Hvatanje divljih konja održava se posljednje subote u maju u zaštićenom prirodnom području Merfelder Bruch u blizini Dülmena
Español: La captura de los caballos salvajes se celebra el último sábado de mayo en la reserva natural Merfelder Bruch cerca de Dülmen, Alemania
Français : Troupeau dans la carrière de chevaux sauvages, Merfelder Bruch, Dülmen, Rhénanie-du-Nord-Westphalie, Allemagne
Magyar: Vadménes a Merfelder Bruch természetvédelmi területen a németországi Dülmennél, ahol május utolsó szombatján tartanak vadlóbefogást
Italiano: La cattura dei cavalli selvaggi che si tiene l’ultimo sabato di maggio nella riserva naturale di Merfelder Bruch vicino a Dülmen in Germania
Nederlands: Het vangen van wilde paarden in het natuurreservaat Merfelder Bruch in de buurt van de Duitse plaats Dülmen
Polski: Stado w zagrodzie dla dzikich koni, Merfelder Bruch, Dülmen, Nadrenia Północna-Westfalia, Niemcy
Português: A captura de cavalos selvagens é realizada todo último sábado do mês de maio na reserva natural de Merfelder Bruch, próximo a Dülmen, na Alemanha
Українська: Табун на стежці диких коней під час відлову диких коней 2014 року, Мерфельдер Брух, Дюльмен, Північний Рейн-Вестфалія, Німеччина
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| Location |  Merfeld ◁ Dülmen ◁ Coesfeld ◁ Münster Government Region ◁ North Rhine-Westphalia ◁ Germany ◁ Europe |
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| Depicts | Category:Information field template with formattingWild Horse Capture | ||||||||||||||||||||||||||||||||||||||
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| Date | Taken on 31 May 2014, 15:06 | ||||||||||||||||||||||||||||||||||||||
| Source | Own work | ||||||||||||||||||||||||||||||||||||||
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| Permission (Reusing this file) |
 .svg) I. Licence
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IV. Contact
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| Attribution (required by the license) | Category:Information field template with formattingDietmar Rabich / Wikimedia Commons / /
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| Keywords | Category:Information field template with formatting Bruch, Deutschland, Dülmen, Germany, Merfeld, Nordrhein-Westfalen, North Rhine-Westphalia, Westfalen, Wildpferdebahn, Wildpferdefang, 2014, … Дюльмен, Північний Рейн-Вестфалія, Німеччина, Alemanha, Alemania, Allemagne, Animal, Animal photography, Bild des Tages, Braun, Brown, Cavalo de Dülmen, Duitsland, Dülmener Pferd, Ereignis, Erholung, Event, Event-Fotografie, Exzellentes Bild, Fauna, Featured picture, Frühling, Germania, Horses, Kreis Coesfeld, Landscape, Landschaft, Maio, Münster, Münsterland, Muster, Nadrenia Północna-Westfalia, Natur, Naturschutzgebiet, Natuurreservaat, Németország, Pferd, Picture of the day, Qualitätsbild, Quality image, Reserva natural, Rhénanie-du-Nord-Westphalie, Säugetier, Schutzgebiet, Sport, Sportstätte, Struktur, Textur, Texturfotografie, Tier, Tierfotografie, Veranstaltung, Wildbahn, Wildbahngestüt |
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| Object location |  | View this and other nearby images on: OpenStreetMap |  |
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| Camera location | | View this and other nearby images on: OpenStreetMap | |
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Assessment
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This image was selected as picture of the day on Wikimedia Commons for 30 May 2015. It was captioned as follows: English: The capture of wild horses will be held in May in the nature reserve Merfelder Bruch near Dülmen on the last Saturday. Other languages:
Bosanski: Hvatanje divljih konja održava se posljednje subote u maju u zaštićenom prirodnom području Merfelder Bruch u blizini Dülmena. Deutsch: Der Wildpferdefang findet im Mai am letzten Samstag im Naturschutzgebiet Merfelder Bruch nahe Dülmen statt. English: The capture of wild horses will be held in May in the nature reserve Merfelder Bruch near Dülmen on the last Saturday. Español: La captura de los caballos salvajes se celebra el último sábado de mayo en la reserva natural Merfelder Bruch cerca de Dülmen, Alemania. Italiano: La cattura dei cavalli selvaggi che si tiene l'ultimo sabato di maggio nella riserva naturale di Merfelder Bruch vicino a Dülmen in Germania. Magyar: Vadménes a Merfelder Bruch természetvédelmi területen a németországi Dülmennél, ahol május utolsó szombatján tartanak vadlóbefogást Nederlands: Het vangen van wilde paarden in het natuurreservaat Merfelder Bruch in de buurt van de Duitse plaats Dülmen. Português: A captura de cavalos selvagens é realizada todo último sábado do mês de maio na reserva natural de Merfelder Bruch, próximo a Dülmen, na Alemanha. |
Licensing
| This and other images (full list of files) of the Wildpferdefang 2014 (Dülmen) was taken, uploaded and released under the CC BY-SA 4.0 license by Commons user Dietmar Rabich with permission.
Dietmar Rabich, the copyright holder of this work, hereby publishes it under the following license:    This file is licensed under the Creative Commons Attribution-Share Alike 4.0 International license. Attribution:
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Notes
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For photographers
First, you should be aware that a good photo is taken by the photographer themselves. The focus is therefore on composition and creativity. At least when you are starting out, it is advisable to follow the rules of composition. The camera and lens are tools for creating the photo. Technically speaking, a photo is only as good as the tools allow it to be.
If creativity and high quality are important to you, you should say goodbye to fully automatic mode. However, individual automatic functions can be useful. It is better to make some camera settings consciously, so it is also important to use them selectively.
There are only a few basic parameters that affect a photo. These are aperture, exposure time and ISO value. The aperture determines the depth of field in the image. The wider the aperture is open, the less sharp the image will be, and vice versa. However, the aperture should only be closed as far as is absolutely necessary. The exposure time should be short enough to prevent the photo from being blurred. The shorter it is, the more likely it is that movement will be frozen. The ISO value determines how sensitive a sensor is to light. The higher it is, the more sensitive it becomes. (More precisely, the light signal is amplified.) However, this has a disadvantage, because as the ISO value increases, so does the noise.
You should be able to focus correctly on the camera. You don’t necessarily have to focus manually, but you should be able to select the appropriate focus fields yourself. Furthermore, the significance of the focal length and its effect on the photo should be actively selected. For example, a longer focal length results in a compression effect, which has its own image effect. Even when using a zoom lens, it can’t hurt to take a few steps forward or backward.
Of course, this is only a very brief overview. There are other influencing factors and parameters, but these cannot be conveyed in the brevity of this text.Colors, light, perspective, and facial expressions influence our mood: warm colors have a stimulating effect, cool colors a calming one. A familiar face or a specific place can immediately trigger memories and associated emotions.
At the same time, the way we take photos reflects our inner world. The choice of subject and image composition can reveal unconscious themes. This is used in psychotherapy: photos help to express feelings, activate memories, and reflect self-image. Images thus become a bridge between emotion and language.
Maybe you’re waiting for the “perfect” subject. For better light. For more time. But creativity doesn’t start with perfect conditions — it starts with curiosity. With the courage to look. With the decision to get started today.
The light in the morning tells different stories than the light in the evening. Shadows paint patterns on walls. Raindrops transform into tiny universes when viewed in macro. An ordinary street becomes a stage when you observe it patiently.
You don’t need the most expensive equipment. You need your eye. Ask yourself:
- What do I overlook every day?
- How does this moment feel?
- What happens when I get closer — or further away?
Allow yourself to experiment. Play with perspectives. Crouch down. Take pictures against the light. Deliberately crop something out. Break the rules — after you know them. Not every picture has to be perfect. Every picture can be a step.
Creativity comes from doing. So get going. Capture what moves you. Show your view of the world — because no one else sees it the way you do.
Your camera is not a tool for perfection.It is a tool for expression.
Photographs
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 You like this photograph? That pleases me very much! You would like to see more of my pictures? With pleasure.
Wikimedia Commons has a large number of my photographs available under a free license. This makes it easy for you and me. The license details are for each picture. The use is easier than you think, because in essence, this is just the attribution in the form I want. In addition, usage notes are listed for each picture. And if it does not fit, just ask. My contact information is also available with every photograph. |
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Every photographer has maxims that guide him or her. Sometimes they exist consciously, sometimes unconsciously. So here is an attempt to formulate this maxim for my own photos:
- I have to like the photos myself. Even if interests change over the course of time, this means that primarily subjects of personal interest are photographed. Subjects of secondary interest serve to increase knowledge and experiment with other techniques or subjects. Commissioned work with special design requirements is not carried out.
- Free knowledge should be supported. The photos should support knowledge and education in every possible way. I see free knowledge as a valuable asset. There is no commercial interest and it would also stand in the way of creativity.
- The joy of photography should be visible. Photography should be fun. Beautiful pictures should enable fantasy worlds. My photos should convey all of this.
- Photos are only offered to third parties if they have been finally processed. The entire development process is carried out by me, from the choice of motif to post-processing. Changes of any kind by third parties are therefore not acceptable. Use is of course permitted subject to the license conditions.
- The technically possible should be utilized. The equipment sets limits, but the photos should be taken within these limits. This also means that photos are usually taken in raw data format.
- The photos are part of a creative process. From the idea to the choice of motif to post-processing, the creative process is utilized and the individual view is used to shape it.
- The photos should serve as a model for others and arouse interest in photography. Photography has many facets, from documentation to artistic use. The special features of this medium are intended to arouse interest in photography and also photographic art.
- The photos should have a positive effect. My hope is that the photos will help make the world a little bit better and have a positive impact on how we interact with each other. That is why I am particularly pleased when the photos are used for educational purposes or volunteer work.
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