File:Kirchspiel, Rödder, Mäusescheune -- 2014 -- 2919.jpg
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Summary
Category:Buildings with addresses#DENW48249Category:On OSM#way-99088058
| Description |
Deutsch: Mäusescheune, Rödder, Kirchspiel, Dülmen, Nordrhein-Westfalen, Deutschland
Die Mäusescheune in der Bauerschaft Rödder ist eine Feldscheune. Sie steht vollständig auf markanten Steinfüßen in Pyramidenform und überstehenden Kragen. Die Füße bieten Schutz vor Schadnagern wie Mäusen und vor aufsteigender Bodennässe. Typisch an dieser Bauform ist das Holz-Ständerwerk – das sogenannte Fachwerk. Untypisch ist jedoch das mittig angeordnete Scheunentor. Die im Volksmund sogenannte Mäusescheune ist wahrscheinlich Anfang des 18. Jahrhunderts erbaut worden. Anfang des 19. Jahrhunderts ist der Dachstuhl abgebrannt und erneuert worden. So wird oft irrtümlicherweise das Baujahr mit 1924 angegeben. English: Mäusescheune, Rödder, Kirchspiel, Dülmen, North Rhine-Westphalia, Germany
The mouse barn in the Rödder hamlet is a field barn. It stands entirely on striking pyramid-shaped stone bases with protruding collars. The bases provide protection against rodents such as mice and rising ground moisture. Typical of this type of construction is the wooden framework, known as half-timbering. However, the centrally located barn door is unusual. The barn, popularly known as the mouse barn, was probably built at the beginning of the 18th century. At the beginning of the 19th century, the roof truss burned down and was replaced. This is why the year of construction is often mistakenly given as 1924. Bosanski: „Mišija štala” u selu Rödder (Kirchspiel), kod Dülmena, Sjeverna Rajna-Vestfalija, Njemačka
Čeština: Stodola zebezpečená proti myším v Rödderu (Kirchspiel), Dülmen, Severní Porýní-Vestfálsko, Německo
Eesti: Mäusescheune, Rödder, Kirchspiel, Dülmen, Nordrhein-Westfalen, Saksamaa
Français : La Grange aux Souris (Mäusescheune) à Rödder, hameau du village de Kirchspiel à Dülmen, Rhénanie-du-Nord-Westphalie, en Allemagne
Magyar: Építészeti műemlék „egérpajta” egy dülmeni gazdaságban. Az épület kövekre helyezésével védték meg a termést a rágcsálóktól (Észak-Rajna-Vesztfália, Németország)
Plattdüütsch: Muusscheune, Röder, Kirchspiel, Dülmen, Nordrhein-Westfalen, Düütsland
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| Location |  Rödder ◁ Kirchspiel ◁ Dülmen ◁ Coesfeld ◁ Münster Government Region ◁ North Rhine-Westphalia ◁ Germany ◁ Europe |
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| Depicts | Category:Information field template with formattingMäusescheune – barn in Germany | ||||||||||||||||||||||||||||||||||||||||
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| Date | Taken on 1 August 2014, 05:55 | ||||||||||||||||||||||||||||||||||||||||
| Source | Own work | ||||||||||||||||||||||||||||||||||||||||
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| Permission (Reusing this file) |
 .svg) I. Licence
This photograph is protected by copyright law. However, it may be used for free by anyone, provided it is used in accordance with the license Creative Commons License “Attribution-ShareAlike 4.0 International” (CC BY-SA 4.0). These include, among other things, the naming of the author and the license, as well as the setting of a link to the license text or its complete imprint. The attribution should be done as follows:
Please read the text of the license carefully before using the photograph. If you do not agree with the conditions of the license or if you do not understand these conditions, please refrain from using the photo. If you have any questions regarding the license or the reuse of the image, please contact me before using it. If you do not comply with the terms of the license, you do not acquire any right to use the image. If you need another license to use, please contact the author before using.
For informations about the licence see section Licensing or as human-readable summary or as full licence text at Creative Commons. In addition to the above, a link to the source - so this page with the descriptions and license terms - is appreciated. More information or examples of use can be found at re-use (with example file). The Attribution Generator is helpful in licensing matters.
As an alternative to the Creative Commons License CC BY-SA 4.0, the Free Art License (from version 1.3) may also be used.
II. Fairness
From printed materials and other tangible products that use that work, the user is asked to send a copy to the author as thank you. However, this is not a condition for the use of the photo, but a voluntary service. The mailing address can be requested via the contact options.
Please note that the author had quite considerable effort to draw up this file. Thus, it is only fair to comply with the conditions of free licenses listed here. In the case of violation of the license conditions, the rights granted hereunder will expire automatically.
III. Disclaimer
Please note that the license applies solely for the reuse of the photograph itself. The license doesn't grant you any right regarding the depicted object (eg, copyright or proprietary rights) or the personality rights of the person eventually shown. (See licences and non-copyright restrictions.) I do not grant any warranty that the subsequent use of the photograph is legally possible concerning the object or person shown in the photograph. You are responsible to check and respect these rights in the publication in the respective medium or country.
The author is not responsible for the accuracy of the information contained herein (description, title, etc.). Likewise, the author assumes no liability for further use. Please note the general disclaimer and please read reusing content outside Wikimedia too.
IV. Contact
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| Attribution (required by the license) | Category:Information field template with formattingDietmar Rabich / Wikimedia Commons / /
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| Keywords | Category:Information field template with formatting Deutschland, Dülmen, Germany, Kirchspiel, Mäusescheune, Nordrhein-Westfalen, North Rhine-Westphalia, Rödder, Westfalen, … Alemanha, Allemagne, Architectural element, Architectural photography, Architecture, Architektur, Architekturelement, Architekturfotografie, Available light, Available light photography, Barn, Bauernhof, Bauwerk, Bild des Tages, Building, Celeiro, Contre-jour, Contre-jour photography, Dach, Dämmerung, Dämmerungsfotografie, Denkmal, Door, Duitsland, Exzellentes Bild, Fachwerk, Featured picture, Fotokunst, Fotowettbewerb, Gable, Gebäude, Gegenlicht, Germania, Giebel, Haus, HDR, HDRI, HDR-Image, HDR image, High Dynamic Range Image, Himmelsfotografie, Hochkontrastbild, Kreativität, Kreis Coesfeld, Kultur, Kulturdenkmal, Landwirtschaft, Licht und Schatten, Monument, Münsterland, Nadrenia Północna-Westfalia, Natur, Photo Art, Photographic Art, Picture of the day, Qualitätsbild, Quality image, rágcsálók, Renânia do Norte-Vestfália, Scheune, Skyscape photography, Sommer, Sonne, Sonnenaufgang, Sunrise, Tone-mapped HDR image, Tür, Twilight, Wiki Loves Monuments, Zona rural, 2014 |
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| OpenStreetMap | Way 99088058 | ||||||||||||||||||||||||||||||||||||||||
| Object location |  | View this and other nearby images on: OpenStreetMap |  |
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| Camera location | | View this and other nearby images on: OpenStreetMap | |
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NOTE: For this image, at least three individual images were combined as a High Dynamic Range Image (HDRI) and tone mapping (or as an exposure fusion (pseudo HDRI)) and were thereby processed digitally. Therefore, this picture may not reflect reality exactly in every detail. |
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This image was uploaded as part of Wiki Loves Monuments 2014.
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Assessment
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This image was selected as picture of the day on Wikimedia Commons for 4 December 2014. It was captioned as follows: Other languages:
Bosanski: Posebna štala zaštićena od miševa na seoskom imanju Rödder (Kirchspiel) kod Dülmena, Sjeverna Rajna-Vestfalija, Njemačka. Čeština: Speciální stodola, chráněná proti myším, ve vesnici Rödder poblíž města Dülmenu, Severní Porýní-Vestfálsko, Německo. Deutsch: Mäusescheune in der Bauerschaft Rödder (Kirchspiel), Dülmen, Nordrhein-Westfalen, Deutschland. Français : La Grange aux Souris (Mäusescheune) à Rödder, hameau du village de Kirchspiel à Dülmen, Rhénanie-du-Nord-Westphalie, en Allemagne. Magyar: Egérpajta Dülmen Kirchspiel körzetében a Rödder gazdaságnál. A pajta hengeres és kiugró galléros köveken áll, így a rágcsálókat távol tartja a benne tárolt terményektől (Németország, Észak-Rajna-Vesztfália) Plattdüütsch: Muusscheune, Röder, Kirchspiel, Dülmen, Nordrhein-Westfalen, Düütsland 中文： 位于德国北莱茵-威斯特法伦州迪爾門的老鼠仓。 |
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All photos in this series have been designated as quality images. All photos in this series have been designated as quality images because they are sufficiently distinct from one another. |
Licensing
Dietmar Rabich, the copyright holder of this work, hereby publishes it under the following license:
This file is licensed under the Creative Commons Attribution-Share Alike 4.0 International license.
Attribution:
- You are free:
- to share – to copy, distribute and transmit the work
- to remix – to adapt the work
- Under the following conditions:
- attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
- share alike – If you remix, transform, or build upon the material, you must distribute your contributions under the same or compatible license as the original.
Notes
For users of the photo
This image is not in the public domain. Copyright protection applies.
The rules of the listed free license apply, no more and no less. Please respect the copyright protection.
Especially with social media you have to pay attention to the terms of use. These sometimes do not correspond to the license conditions listed here. (See CC BY-SA licenses and social media.) Please check this before use in the respective medium.
The license conditions must also be respected when using so-called generative artificial intelligence (AI). Images created on the basis of this image are processed images or derivatives within the meaning of the license.
Of course, a free license is no carte blanche for use. In particular, there are restrictions not based on the license, for example to the personality rights of the author (Copyright law of Germany, §§ 12 to 14 of the German Copyright Act). This is especially true for the required attribution and the use of the image. It is expressly not allowed to give the impression through the use of the image, that the author supports the work, in which the image is used, or whose rights holders in any way.
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For editors
Please do not change the image file, the license, or the filename!
Even though a wiki offers a wide range of possibilities, some changes are possible but not permitted. The creator of the image has made it available here under the specific license mentioned. The three components — image file, license, and filename (title) — are inextricably linked. Always keep in mind that images are also used outside the Wikimedia Commons ecosystem. In those contexts, attribution specifically refers to this exact location and this exact image file here.
- If you make changes to the image and want to make the modified image available to others here, upload the result under a new name and credit yourself as the editor — even for very minor changes. The templates Derivative and Extract are also available for this purpose. In addition, the user should make minor corrections only to the source file they have on hand. The source is — as a rule — a RAW file. Editing a JPEG file always results in an undesirable loss of quality.
- As an alternative to the specified license, only compatible licenses are permitted. Otherwise, any other form of licensing is reserved exclusively for the copyright holder.
- When making changes to the filename, please always keep in mind the world outside of Wikimedia Commons. Anyone who enters a link expects the correct page with the correct image to appear. Anything else leads to confusion. A reference to the file versions is considered insufficient and impractical.
If you believe changes are necessary, or if you would like to offer constructive criticism, please contact the author.
It goes without saying that using the Crop Tool will not overwrite this original file. In accordance with the license, the resulting cropped image will have its user categories removed, any labels like “Quality Image” removed, the name of the person who created the cropped image added, and this original file cited as the source.
Two additional notes:
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- The author expressly disavows any images based on his photos (derivative works) that have been altered — even minimally — by third parties and on which only his name is listed as the author.
The title (or, alternatively, the filename) is part of the license’s required information and should therefore not be changed. If any of the information is incorrect, the author would appreciate being notified.
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For photographers
How do you take a photo like this?
To give you a little insight into how a photo like this was created, here are a few basic tips and tricks specifically related to this photo.
Basics
First, you should be aware that a good photo is taken by the photographer themselves. The focus is therefore on composition and creativity. At least when you are starting out, it is advisable to follow the rules of composition. The camera and lens are tools for creating the photo. Technically speaking, a photo is only as good as the tools allow it to be.
If creativity and high quality are important to you, you should say goodbye to fully automatic mode. However, individual automatic functions can be useful. It is better to make some camera settings consciously, so it is also important to use them selectively.
There are only a few basic parameters that affect a photo. These are aperture, exposure time and ISO value. The aperture determines the depth of field in the image. The wider the aperture is open, the less sharp the image will be, and vice versa. However, the aperture should only be closed as far as is absolutely necessary. The exposure time should be short enough to prevent the photo from being blurred. The shorter it is, the more likely it is that movement will be frozen. The ISO value determines how sensitive a sensor is to light. The higher it is, the more sensitive it becomes. (More precisely, the light signal is amplified.) However, this has a disadvantage, because as the ISO value increases, so does the noise.
You should be able to focus correctly on the camera. You don’t necessarily have to focus manually, but you should be able to select the appropriate focus fields yourself. Furthermore, the significance of the focal length and its effect on the photo should be actively selected. For example, a longer focal length results in a compression effect, which has its own image effect. Even when using a zoom lens, it can’t hurt to take a few steps forward or backward.
Of course, this is only a very brief overview. There are other influencing factors and parameters, but these cannot be conveyed in the brevity of this text.Tips & Tricks
A high-contrast image (HDRI) is a photo with a greater dynamic range. The difference between the brightest and darkest points in the photo is greater than can be captured in a single photo. A series of exposures is taken, with the shortest exposure time capturing the bright areas well and the longest exposure time capturing the dark areas well. These photos, usually at least three, are then processed using software and compressed to the visible spectrum (tone mapping). Some cameras offer the option of taking this shot directly, but this lacks flexibility in editing.
▷ See also category: HDR images.
Contre-jour shots are characterized by the fact that you are photographing directly into the direction of the light source. The light source itself does not have to be visible. The light-dark contrast in such photographs is high, which means that some areas may often be overexposed or underexposed. Shooting against the light offers the opportunity to create silhouettes, light flares, or spikes. Sunrises and sunsets are common examples of this type of photography.
▷ See also category: Contre-jour photography.
Sunrise and sunset roughly refer to the sun crossing the horizon. Typical shots are backlit images of the sun in red or orange tones. The romantic mood can often be enhanced by reducing the exposure time slightly. However, this makes the foreground darker, which is why silhouettes are often used as motifs. Reflections also work well in this type of image. If you want an object in the foreground to be clearly visible, you can use reflectors or a fill flash.
▷ See also category: Sunsets and sunrises.
Chromatic aberrations are colored fringes — often magenta or green — at high-contrast edges in a photograph. They are caused by lens-induced refraction of light waves, where colors do not align sharply. They are most visible at sharp transitions such as treetops or architectural features. They occur primarily with inexpensive lenses or in extreme lighting conditions. This can be avoided with high-quality optics, moderate aperture values, and centered subjects. The effects can usually be corrected in post-processing.
▷ See also category: Chromatic aberration.
The saying “less is more” means showing only what is really important in photography.
A good photo does not need many elements. It needs a clear main subject, so decide on a main subject. Instead of showing a lot of the surroundings, get closer to the detail or choose a narrower frame.
Postface
Photography is more than just technique — it’s your way of seeing the world.
It is a tool for expression.
Maybe you’re waiting for the “perfect” subject. For better light. For more time. But creativity doesn’t start with perfect conditions — it starts with curiosity. With the courage to look. With the decision to get started today.
The light in the morning tells different stories than the light in the evening. Shadows paint patterns on walls. Raindrops transform into tiny universes when viewed in macro. An ordinary street becomes a stage when you observe it patiently.
You don’t need the most expensive equipment. You need your eye. Ask yourself:
- What do I overlook every day?
- How does this moment feel?
- What happens when I get closer — or further away?
Allow yourself to experiment. Play with perspectives. Crouch down. Take pictures against the light. Deliberately crop something out. Break the rules — after you know them. Not every picture has to be perfect. Every picture can be a step.
Creativity comes from doing. So get going. Capture what moves you. Show your view of the world — because no one else sees it the way you do.
Your camera is not a tool for perfection.It is a tool for expression.
Photographs
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 You like this photograph? That pleases me very much! You would like to see more of my pictures? With pleasure.
Wikimedia Commons has a large number of my photographs available under a free license. This makes it easy for you and me. The license details are for each picture. The use is easier than you think, because in essence, this is just the attribution in the form I want. In addition, usage notes are listed for each picture. And if it does not fit, just ask. My contact information is also available with every photograph. |
#2014Kirchspiel,%20Rödder,%20Mäusescheune%20--%202014%20--%202915-19.jpg){kind=link}
Maxims
Every photographer has maxims that guide him or her. Sometimes they exist consciously, sometimes unconsciously. So here is an attempt to formulate this maxim for my own photos:
- I have to like the photos myself. Even if interests change over the course of time, this means that primarily subjects of personal interest are photographed. Subjects of secondary interest serve to increase knowledge and experiment with other techniques or subjects. Commissioned work with special design requirements is not carried out.
- Free knowledge should be supported. The photos should support knowledge and education in every possible way. I see free knowledge as a valuable asset. There is no commercial interest and it would also stand in the way of creativity.
- The joy of photography should be visible. Photography should be fun. Beautiful pictures should enable fantasy worlds. My photos should convey all of this.
- Photos are only offered to third parties if they have been finally processed. The entire development process is carried out by me, from the choice of motif to post-processing. Changes of any kind by third parties are therefore not acceptable. Use is of course permitted subject to the license conditions.
- The technically possible should be utilized. The equipment sets limits, but the photos should be taken within these limits. This also means that photos are usually taken in raw data format.
- The photos are part of a creative process. From the idea to the choice of motif to post-processing, the creative process is utilized and the individual view is used to shape it.
- The photos should serve as a model for others and arouse interest in photography. Photography has many facets, from documentation to artistic use. The special features of this medium are intended to arouse interest in photography and also photographic art.
- The photos should have a positive effect. My hope is that the photos will help make the world a little bit better and have a positive impact on how we interact with each other. That is why I am particularly pleased when the photos are used for educational purposes or volunteer work.
#Kirchspiel,%20Rödder,%20Mäusescheune%20--%202014%20--%202915-19.jpg){kind=link}