File:Spiralbinderücken -- 2022 -- 9739 (bw).jpg
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Summary
| Description |
Español: Primer plano del lomo de una carpeta de espiral de un cuaderno
فارسی: تصویر یک جلد سیمی دفترچه یادداشت
Français : Gros plan sur le dos d’une reliure à spirale d’un carnet
Italiano: Primo piano del dorso di un quaderno con rilegatura a spirale
Nederlands: Close-up van de rug van een notitieboekje met een spiraalband
Polski: Zbliżenie na grzbiet spiralnego segregatora z notatnikiem
Українська: Крупним планом корінець зошита в спіральній палітурці |
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| Title | Bindung |
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| Location |  Dülmen ◁ Coesfeld ◁ Münster Government Region ◁ North Rhine-Westphalia ◁ Germany ◁ Europe |
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| Depicts | Category:Information field template with formattingwire binding | ||||||||||||||||||||||||||||||||||||||
| Technical Specifications |
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| Image data |
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| Date | Taken on 24 January 2022, 17:57 | ||||||||||||||||||||||||||||||||||||||
| Source | Own work | ||||||||||||||||||||||||||||||||||||||
| Author |
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| Permission (Reusing this file) |
 .svg) I. Licence
This photograph is protected by copyright law. However, it may be used for free by anyone, provided it is used in accordance with the license Creative Commons License “Attribution-ShareAlike 4.0 International” (CC BY-SA 4.0). These include, among other things, the naming of the author and the license, as well as the setting of a link to the license text or its complete imprint. The attribution should be done as follows:
Please read the text of the license carefully before using the photograph. If you do not agree with the conditions of the license or if you do not understand these conditions, please refrain from using the photo. If you have any questions regarding the license or the reuse of the image, please contact me before using it. If you do not comply with the terms of the license, you do not acquire any right to use the image. If you need another license to use, please contact the author before using.
For informations about the licence see section Licensing or as human-readable summary or as full licence text at Creative Commons. In addition to the above, a link to the source - so this page with the descriptions and license terms - is appreciated. More information or examples of use can be found at re-use (with example file). The Attribution Generator is helpful in licensing matters.
As an alternative to the Creative Commons License CC BY-SA 4.0, the Free Art License (from version 1.3) may also be used.
II. Fairness
From printed materials and other tangible products that use that work, the user is asked to send a copy to the author as thank you. However, this is not a condition for the use of the photo, but a voluntary service. The mailing address can be requested via the contact options.
Please note that the author had quite considerable effort to draw up this file. Thus, it is only fair to comply with the conditions of free licenses listed here. In the case of violation of the license conditions, the rights granted hereunder will expire automatically.
III. Disclaimer
Please note that the license applies solely for the reuse of the photograph itself. The license doesn't grant you any right regarding the depicted object (eg, copyright or proprietary rights) or the personality rights of the person eventually shown. (See licences and non-copyright restrictions.) I do not grant any warranty that the subsequent use of the photograph is legally possible concerning the object or person shown in the photograph. You are responsible to check and respect these rights in the publication in the respective medium or country.
The author is not responsible for the accuracy of the information contained herein (description, title, etc.). Likewise, the author assumes no liability for further use. Please note the general disclaimer and please read reusing content outside Wikimedia too.
IV. Contact
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| Other versions |
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| Attribution (required by the license) | Category:Information field template with formattingDietmar Rabich / Wikimedia Commons / /
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| Keywords | Category:Information field template with formattingClose-up, Coil binding, Nahaufnahme, Notebook, Notizbuch, Ringbindung, … Black, Black-and-white, Black and white, Black-and-white photography, Bokeh, Deutschland, Dülmen, Exzellentes Bild, Featured picture, Fotokunst, Germany, Graustufen, Grauwertbild, Hausdülmen, Kreativität, Kreis Coesfeld, Makro, Makrofotografie, Münsterland, Nordrhein-Westfalen, North Rhine-Westphalia, Object, Objekt, Photo Art, Photographic Art, Qualitätsbild, Quality image, Schwarz, Schwarzweiß, Schwarz-weiß, Schwarzweißbild, Schwarzweißfotografie, Standfotografie, Stillleben, Still life, Still-life photography, Symmetrie, Symmetry impressions, Tabletop-Fotografie, Unschärfe, Weiß, Westfalen, White, 2022 |
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| Camera location |  | View this and other nearby images on: OpenStreetMap |  |
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Location |
The geocoded location of the location of this image is only correct to the nearest 2 km for privacy or other reasons. Please do not improve the accuracy of the coordinates even if you are able to do so. |
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Assessment
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All photos in this series have been designated as quality images. All photos in this series have been designated as quality images because they are sufficiently distinct from one another. |
Licensing
- You are free:
- to share – to copy, distribute and transmit the work
- to remix – to adapt the work
- Under the following conditions:
- attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
- share alike – If you remix, transform, or build upon the material, you must distribute your contributions under the same or compatible license as the original.
Notes
For users of the photo
 | This image is not in the public domain. Copyright protection applies.
The rules of the listed free license apply, no more and no less. Please respect the copyright protection. Especially with social media you have to pay attention to the terms of use. These sometimes do not correspond to the license conditions listed here. (See CC BY-SA licenses and social media.) Please check this before use in the respective medium. The license conditions must also be respected when using so-called generative artificial intelligence (AI). Images created on the basis of this image are processed images or derivatives within the meaning of the license. Of course, a free license is no carte blanche for use. In particular, there are restrictions not based on the license, for example to the personality rights of the author (Copyright law of Germany, §§ 12 to 14 of the German Copyright Act). This is especially true for the required attribution and the use of the image. It is expressly not allowed to give the impression through the use of the image, that the author supports the work, in which the image is used, or whose rights holders in any way.
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For editors
| Please do not change image file, license or file name!
Even though a wiki offers many possibilities, some changes are possible, but not allowed. The author of the image has made it available here precisely with the named license. The three components image file, license and file name (title) belong together indispensably. Always keep in mind that images are also used outside the Wikimedia Commons world. There the attribution refers to exactly this place and exactly this image file here.
It should also be noted that the file’s metadata (EXIF/IPTC/XMP) must not be removed or altered (protection of information necessary for the enforcement of rights, § 95c of the German Copyright Act). It should also be noted that the author expressly distance hisself from images based on his photos that have been changed — even minimally — by third parties and where only his name is noted as author.
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 | Please do not overwrite this image with a modified image.
The author would like to make possible minor modifications only at his own source. (The source is usually a RAW file. Processing of the JPEG file results in a loss of quality.) This ensures that the changes and the quality are preserved. In addition, easy access to the source should also be possible for external use, which would not be possible via the file versions. If you think that any changes should be required or if you want to express constructive criticism, please contact the author. Otherwise you can upload a new image with a new name. Please use one of the templates: derivative or extract. Please be sure to include your name, if you upload a derivative or a detail, because you're in charge of the changes. The preparation of derivatives or extracts is not allowed without mentioning your name. Please do not rename this file. The name is part of the required license informations. In the case of misstatements, the author is pleased to provide information.
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For photographers
First, you should be aware that a good photo is taken by the photographer themselves. The focus is therefore on composition and creativity. At least when you are starting out, it is advisable to follow the rules of composition. The camera and lens are tools for creating the photo. Technically speaking, a photo is only as good as the tools allow it to be.
If creativity and high quality are important to you, you should say goodbye to fully automatic mode. However, individual automatic functions can be useful. It is better to make some camera settings consciously, so it is also important to use them selectively.
There are only a few basic parameters that affect a photo. These are aperture, exposure time and ISO value. The aperture determines the depth of field in the image. The wider the aperture is open, the less sharp the image will be, and vice versa. However, the aperture should only be closed as far as is absolutely necessary. The exposure time should be short enough to prevent the photo from being blurred. The shorter it is, the more likely it is that movement will be frozen. The ISO value determines how sensitive a sensor is to light. The higher it is, the more sensitive it becomes. (More precisely, the light signal is amplified.) However, this has a disadvantage, because as the ISO value increases, so does the noise.
You should be able to focus correctly on the camera. You don’t necessarily have to focus manually, but you should be able to select the appropriate focus fields yourself. Furthermore, the significance of the focal length and its effect on the photo should be actively selected. For example, a longer focal length results in a compression effect, which has its own image effect. Even when using a zoom lens, it can’t hurt to take a few steps forward or backward.
Of course, this is only a very brief overview. There are other influencing factors and parameters, but these cannot be conveyed in the brevity of this text.Maybe you’re waiting for the “perfect” subject. For better light. For more time. But creativity doesn’t start with perfect conditions — it starts with curiosity. With the courage to look. With the decision to get started today.
The light in the morning tells different stories than the light in the evening. Shadows paint patterns on walls. Raindrops transform into tiny universes when viewed in macro. An ordinary street becomes a stage when you observe it patiently.
You don’t need the most expensive equipment. You need your eye. Ask yourself:
- What do I overlook every day?
- How does this moment feel?
- What happens when I get closer — or further away?
Allow yourself to experiment. Play with perspectives. Crouch down. Take pictures against the light. Deliberately crop something out. Break the rules — after you know them. Not every picture has to be perfect. Every picture can be a step.
Creativity comes from doing. So get going. Capture what moves you. Show your view of the world — because no one else sees it the way you do.
Your camera is not a tool for perfection.It is a tool for expression.
Photographs
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 You like this photograph? That pleases me very much! You would like to see more of my pictures? With pleasure.
Wikimedia Commons has a large number of my photographs available under a free license. This makes it easy for you and me. The license details are for each picture. The use is easier than you think, because in essence, this is just the attribution in the form I want. In addition, usage notes are listed for each picture. And if it does not fit, just ask. My contact information is also available with every photograph. |
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Every photographer has maxims that guide him or her. Sometimes they exist consciously, sometimes unconsciously. So here is an attempt to formulate this maxim for my own photos:
- I have to like the photos myself. Even if interests change over the course of time, this means that primarily subjects of personal interest are photographed. Subjects of secondary interest serve to increase knowledge and experiment with other techniques or subjects. Commissioned work with special design requirements is not carried out.
- Free knowledge should be supported. The photos should support knowledge and education in every possible way. I see free knowledge as a valuable asset. There is no commercial interest and it would also stand in the way of creativity.
- The joy of photography should be visible. Photography should be fun. Beautiful pictures should enable fantasy worlds. My photos should convey all of this.
- Photos are only offered to third parties if they have been finally processed. The entire development process is carried out by me, from the choice of motif to post-processing. Changes of any kind by third parties are therefore not acceptable. Use is of course permitted subject to the license conditions.
- The technically possible should be utilized. The equipment sets limits, but the photos should be taken within these limits. This also means that photos are usually taken in raw data format.
- The photos are part of a creative process. From the idea to the choice of motif to post-processing, the creative process is utilized and the individual view is used to shape it.
- The photos should serve as a model for others and arouse interest in photography. Photography has many facets, from documentation to artistic use. The special features of this medium are intended to arouse interest in photography and also photographic art.
- The photos should have a positive effect. My hope is that the photos will help make the world a little bit better and have a positive impact on how we interact with each other. That is why I am particularly pleased when the photos are used for educational purposes or volunteer work.
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