File:29 upside down.png

Summary

Description
English: The #29, upside-down. Lowers pitch 11.98 cents.

Other accidentals

  • #7 = 5·7 : 2·32 = 35 : 18 = -48.77 cents. vs. #L
  • 11 = 3·11 : 25 = 33 : 32 = 53.27 cents. vs. U11
  • 13 = 5·13 : 26 = 65 : 64 = 26.84 cents. vs. E1
  • 17 = 3·17 : 2·52 = 51 : 50 = 34.28 cents. vs. L1
  • 19 = 5·19 : 25·3 = 95 : 96 = -18.13 cents. vs. U19
  • 23 = 2·23 : 32·5 = 46 : 45 = 38.05 cents. vs. U23
  • 29 = 5·29 : 24·32 = 145 : 144 = 11.98 cents. vs. U29
  • 31 = 31 : 2·3·5 = 31 : 30 = 56.77 cents. vs. 1E
  • LE = 3·52 : 2·37 = 75 : 74 = 23.24 cents. vs. 37
  • 41 = 41 : 23·5 = 41 : 40 = 42.75 cents. vs. U41
  • 43 = 3·43 : 27 = 129 : 128 = 13.47 cents. vs. U43
  • 47 = 24·3 : 47 = 48 : 47 = -36.45 cents. vs. U47
  • 53 = 25·5 : 3·53 = 160 : 159 = -10.85 cents. vs. U53
Date
Source Own work
Author Hyacinth

Licensing

Public domain This media depicts a musical interval outside of a specific musical context. Intervals consist of an ordering of two pitches or pitch classes (no "distinctiveness"), may be used in compositions by multiple composers ("common material"), and may not be readily apparent as distinct in compositions. As such, a musical interval is a musical concept or technique, which is considered too simple to be eligible for copyright protection, or which consists only of technique, with no original creative input.
This media depicts a musical concept or technique, which is considered too simple to be eligible for copyright protection, or which consists only of technique, with no original creative input.
Category:PD ineligible music#29%20upside%20down.pngCategory:PD ineligible musical intervals#29%20upside%20down.png Category:Microtonal accidentals Category:Ben Johnston's notation Category:Template:Music Category:29-limit tuning and intervals Category:Utonality
Category:29-limit tuning and intervals Category:Ben Johnston's notation Category:Microtonal accidentals Category:PD ineligible music Category:PD ineligible musical intervals Category:Template:Music Category:Utonality